[We would like to thank Rob Mitchum (@robmitchum) aka @robmitchum on Bluesky for recapping last night's show. -Ed.]
I’m gonna clue you in on a dirty music writer secret: when we’re assigned to review a concert, we hardly ever go in with a blank slate. Given the quick turnaround time that a live review demands, it’s useful to go into the show with a framing device already in mind, then adjust accordingly. One might even pre-write a few paragraphs before the show, making an educated guess about how the night would unfold. Come back home, fill in the details, and voila – you can make deadline and go back to hanging out with your friends.
I’ve certainly written enough about Phish to know better, but I still use this strategy when I draw the prestigious phish.net assignment. I’d been thinking a lot about my expectations for these shows and why I chose them from the surprising abundance of Midwestern options this year, so I wrote down a handful of paragraphs between nights one and two, naively thinking I could predict the general parameters of how the evening would unfold.
Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.